In short, her seventh LP suffers from the common complaint waged even by adamant fans: when Taylor is good, she's great, and when she's not, well she's forgettable. To make it easy for you, we haven't included Taylor Swift singles, EPs, or compilations - everything you see here should only be studio albums. It's her only album with skip-every-time songs (why on earth would you force a collab between Future and Ed Sheeran? These are songs that beckon celebration, hands raised over heads in secular worship of a 20-something's innate need to romanticize their life visions of nice dresses and sunsets, the epicenter of the world awaiting your arrival, hope that your beauty and grace will never fade. She also adds that with her recent re-recording of previous albums, Swift has "unlocked something brilliant and fresh in her songwriting," by dipping her toe back into previous eras. Some stories are symphonic semi-pop anthems ("Enchanted," "Haunted"), while others are country ballads dressed with electric guitars, as seen in "Dear John"'s interrogation of a 32-year-old lover's sway on a still-teen girl ("Don't you think 19's too young to be played by your dark, twisted games?"). And a follow-up to 1989 would always have big shoes to fill but Reputation lacked the stone-cold smashers Swift has proven time and time again shes capable of. These tales spin out like spools of fine gold, delicate in their delivery, eschewing catchy hooks to instead relish in simplicity. "Mine" proves this point at the LP's onset, condensing years into seconds, tracing the shadow childhood trauma casts over a guarded, grown-up love ("You made a rebel of a careless man's careful daughter / You are the best thing that's ever been mine"). "Epiphany," track 13 on "Folklore," is written with Swift's grandfather in mind. This only further proves that "Reputation" is a prime example that Swift can experiment with a variety of genres and still create magic. "Cold As You" highlights Swift's talent in writing beautiful lyrics about heartbreak, a key Swift signature: "You put up walls and paint them all a shade of gray / And I stood there loving you, and wished them all away / And you come away with a great little story / Of a mess of a dreamer with the nerve to adore you.". What condemns 1989's position at the lower third of this list then is the sad truth that some of the choruses rotating here sound like they could have been parsed out to much-lesser 2010s pop stars. escaped the fate of Pharrell in Minions or Timberlake in Trolls). "The 1" and "August" tied for the top spot. How do you follow-up Reputation, a revenge album filled with vengeance? How often I find myself in the mood to listen to . Taylor may be wise beyond her years, but that doesn't spare her from petty rage, especially on "Better Than Revenge" (which is essentially her "Misery Business"), scorning another girl for "the things that she does on the mattress" while likening their shared love interest to a toy on the playground in the next breath. The album finds Swift living up to all of the praise she earned for her songwriting earlier in career. " Bad Blood . As if a trump card she saved specially for its bridge, Taylor relinquishes a rare shriek of elation and dismay ("He looks up grinning like a devil!") It's the stuff of shared languages, not unlike our own pensive journal entries when we had nowhere else to turn but the page. "Fearless" might just be the best opening guitar riff of her applicable albums (Taylor Swift, Speak Now, and Evermore's are less so) fringed with a summer's day twang and immediately infecting the listener with a blissful dose of euphoria, like a spoonful of syrup taken between smiling lips. So reads Taylor Swift's social media announcement that, just two months after gracing fans with her re-recording of Fearless, she was giving the same treatment to 2012's Red with all 30 songs originally intended for the record. that have almost childish lyrics to soft, heart-wrenching ballads about love and loss like "Soon You'll Get Better.". The definitive ranking of Taylor Swift's 'Folklore' songs. But just because Taylor took a sharp left turn doesn't mean she was unsuccessful. The songs are as fresh as they were when first released in 2014 with the choruses still getting embedded in your head. Read on for a ranking of all of Swift's albums, from least to most iconic in descending order. From the first track, you know this album isn't like what you've been hearing on the radio it opens with the synthetic beats and sounds of "Welcome to New York.". To celebrate the release of Swifts tenth album Midnights, here we take a look back on Taylor Swifts entire career and rank her ten albums in order of greatness. In a review for Rolling Stone, Claire Shaffer called the album "a refreshing change of pace.". Casting aside the usual lengthy album campaigns or meticulously planned drip-feeding of singles, T-Swiz uncharacteristically announced Folklore the day before it was released. Its a brilliantly honest moment, taken from Swifts most mature album yet. That said, this album ranked below the others as it plays it a bit safer than some of the music released later in her career. And of course, "Long Live," the last song of the album, is a masterpiece that features the story and emotions of Swift looking at her journey and successes up to that point in time. Pam Grier reflects on her most iconic roles, from Coffy to Jackie Brown. If Teardrops on My Guitar from Swifts debut album was her breakthrough song, it was Love Story, the ballad from its follow-up Fearless, that cemented her name in the pop history books. But in the meantime, Midnights remains on repeat with high regard. "Her music mixes an almost impersonal professionalism it's so rigorously crafted it sounds like it has been scientifically engineered in a hit factory with confessions that are squirmingly intimate and true," wrote critic Jody Rosen for Rolling Stone in 2008. document.getElementById("comment").setAttribute( "id", "ae642da28755683afdf2ec0fe06ed858" );document.getElementById("facec42938").setAttribute( "id", "comment" ); Save my name, email, and website in this browser for the next time I comment. She colors its lyrics and soundscapes between the clear cut, ear candy lines a hint of bubblegum pop, a dash of animated movie-anthem flair (it's a miracle that "ME!" Insider's music team revisited the album and ranked all 17 of its deluxe-edition songs. 'All You Had To Do Was Stay' - '1989' Article Continues Below Don't get me wrong, "All You Had To Do Was Stay" is an amazing song that fits perfectly into. From Taylor Swift to Midnights, we've ranked all of the singer's studio albums from best to worst. The music of folklore takes its time to unfurl, ivory keys yawning at dusk, acoustic strings waking at daybreak. If you have a hard time taking a side, you can either click "I Like Both" or "No Opinion," though the catch is that the process might take longer. "Entirely self-penned, sans the collaborations of the previous albums, it's an enormous breakthrough in songwriting maturity, while hardly forsaking the childlike lack of pretense that made earlier efforts such guilt-free ear candy," wrote Willman. To me, "Midnights" feels like an encapsulation of Swift's musical journey. Taylor Swift's Track 5s, Ranked 9. You could have at least changed RED/FEARLESS to Taylors version. But the crowned jewel of the record is obviously the long-waited, 10-minute version of "All Too Well," an expansion on the already sprawling song widely considered by critics and fans alike to be her definitive opus (which, for an artist of Taylor Swift's standing, is absolutely saying something). This winning combination warrants countless replays and, even now, listening to this song more than 10 years later reminds many of us so strongly of a crush we had when we were younger. Such contrast in tone and prophecy perfectly capture the beautiful whiplash strewn throughout the album as she walks us through the stages of moving on: willing them to stay ("Treacherous"), drinking with friends to forget ("22"), ending the reconciliation cycle ("We Are Never Ever Getting Back Together"), and starting anew with the next beau ("Begin Again"). But "Folklore" has a laid-back vibe that reflects the spontaneity of how this album was created. taylor swift albums Tier List Maker - TierLists.com taylor swift albums Press the labels to change the label text. Sure, this album has its highs and lows and is filled with impressive tracks, but it ranks below others because although it feels like many things she does here (like haunting lyrics and pop beats) are things she's done before and a bit better in her previous releases. But Evermore finds Swift digging further into her explorations of narrative voice and shifting points of view, taking bigger risks in trying to discover how the newfound breadth of her songwriting could possibly reconcile with the arc of her career. But the true gems of this wildly successful 2021 re-recording (which topped every chart in sight across the globe) are undoubtedly "Love Story," which resurfaces here with heightened sensibilities and deeper convictions, along with several songs "From The Vault," most notably "Mr. And, thus, here's where she lost some audiences at the onset, who understandably furrowed their brows at first listen. "1989" is packed with standout songs that hold their own, like "Blank Space," featuring masterful lyrics in a pop context;"Wildest Dreams," showcasing a heartbeat driving the song and breathy singing that creates a dreamlike quality; and "How You Get The Girl," serving as a lighthearted, pop-infused love song. The worlds defining voice in music and pop culture: breaking whats new and whats next since 1952. Written in her freshman year of high school, it positioned her as a country-crossover hopeful ready for mainstream success. Theres a free-wheeling, carefree attitude to the collection. Taylor is again musically faithful to the source material she spawned, honoring her then 22-year-old self by jeering and tearing up right on que, though this time with an inherent air of maturity. Although there are standout individual songs on the album, "Taylor Swift" isn't particularly cohesive and now that her discography has been built up, it's hard to rank this high when listeners now know exactly what she's capable of. Only vault songs are included. Keefe, Folklore is neither a culmination of Swifts career to date nor a pivot in a new direction. But reputation is much more than an extended diss track; It's also a not-so-private ceremony for a new, hush-hush love affair (that years later blossoms into a now-rumored engagement to partner Joe Alwyn). After embracing folk-flecked sounds on sister albums Folklore and Evermore, for Midnights Swift instead turns to bubbling synths and percussive beats, this sleek production run under the artists late night musings. Standouts tracks on this album also include "Fearless," an easy listen that captures the sweet feelings surrounding new romances; "Fifteen," a young love story that unfolds over several verses; "White Horse," a slow tune featuring lyrics about heartbreak that cut deep; "Love Story," a romantic tale with a fairytale edge; and "The Best Day," an emotional song that is filled with sweet childhood memories. Immediate highlights include tracks like "Willow," an upbeat song that transports listeners back to the "Folklore" universe. There are whispers of reputation as well on opener "Lavender Haze," "Midnight Rain," and b-side "Vigilante Sh-t," which are menacing in their side-eyed electro hip hop shades but with a more relaxed delivery, swapping her sixth album's shock value for more earnest meditations on conflict born out of your own misgivings. Shaffer called the album finds Swift living up to all of the praise she earned for her songwriting in! 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